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    125.710-0263-STD

    RED EPIC-W™ HELIUM™ 8K S35 BRAIN® (Standard OLPF)

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    Details: RED EPIC-W™ HELIUM™ 8K S35 BRAIN® (Standard OLPF)
    Marke:
    RED
    Lager:
    Lieferbar
    29'795.00 CHF
    zzgl. 7.7% MwSt.

    RED EPIC-W® with HELIUM 8K® S35

    HIGH RESOLUTION

    RED EPIC-W® with HELIUM 8K® S35 sensor has 35.4 megapixels to capture subtle features that can’t be seen at lower resolutions. That's 4x more resolution than 4K—and over 17x more resolution than HD.

    SUPERIOR IMAGE QUALITY

    Combining advanced color science with incredible dynamic range, EPIC-W produces the most realistic images imaginable.


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    MODULARITY

    The DSMC2® form factor is our smallest BRAIN® ever and is also compatible with a growing arsenal of modules and accessories—from RED and other third-party manufacturers.


    LIGHTWEIGHT

    Weighing in at just 3.35 lbs., EPIC-W produces cinema-quality imagery yet is small enough for use with drones, gimbals and handheld configurations.


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    RESOLUTION MATTERS

    With superior image quality and best-in-class resolution, RED EPIC-W with HELIUM 8K S35 sensor, recipient of the highest DxOMark score ever, allows content creators everywhere to deliver ultra-detailed still and motion images.


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    YOUR WORKFLOW. SIMPLIFIED.

    EPIC-W is capable of recording REDCODE® RAW and proxy 4K Apple ProRes or Avid DNxHR/HD formats—simultaneously. More recording options and the raw power of REDCODE provide the freedom to choose the workflow that's right for you. And now EPIC-W can monitor and control the new image processing pipeline (IPP2) in-camera.


    TECHNICAL SPECIFICATIONS


     
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    EPIC-W

    SENSOR TYPE HELIUM 35.4 Megapixel CMOS
    EFFECTIVE PIXELS 8192 x 4320
    SENSOR SIZE 29.90 mm x 15.77 mm (Diagonal: 33.80 mm)
    DYNAMIC RANGE 16.5+ stops
    MAX DATA RATES

    Up to 275 MB/s using RED MINI-MAG (480GB & 960GB) 
    Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

    MAX FRAME RATES

    30 fps at 8K Full Format (8192 x 4320), 30 fps at 8K 2.4:1 (8192 x 3456) 
    30 fps at 7K Full Format (7168 x 3780), 40 fps at 7K 2.4:1 (7168 x 3024) 
    75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592) 
    96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 
    120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 
    150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 
    240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

    PLAYBACK FRAME RATES (PROJECT TIMEBASE)

    23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

    REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1

    6:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps 
    7:1 REDCODE for 8K Full Format (8192 x 4320) at 30 fps 
    2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps 
    4:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps

    REDCODE RAW ACQUISITION FORMATS

    8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 
    7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
    6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 
    5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
    4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x 
    3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
    2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

    APPLE PRORES

    ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps 
    ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps 
    ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

    AVID CODECS

    DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps 
    DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps 
    DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps 
    DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps 
    DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

    CONSTRUCTION

    Magnesium and Aluminum Alloy

    WEIGHT

    3.35 lbs (BRAIN with Integrated Media Bay)

    OPERATING TEMPERATURE

    0°C to 40°C (32°F to 104°F)

    STORAGE TEMPERATURE

    –20°C to 50°C (–4°F to 122°F)

    RELATIVE HUMIDITY

    0% to 85% non-condensing

    COLOR MANAGEMENT

    Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs 
    Variable number of 3D LUT outputs with DSMC2 expander module 
    User programmable shaper 1D LUTs 
    Tetrahedral interpolation, 16-bit processing

    AUDIO

    Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz 
    Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

    REMOTE CONTROL

    Integrated R.C.P. WiFi antenna 
    Ethernet, RS232, and GPI Trigger with DSMC2 expander module

    MONITOR OUTPUTS

    3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 
    1080p RGB or 4:2:2, 720p RGB or 4:2:2 
    480p RGB or 4:2:2 (HDMI only) 
    SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

    MONITOR OPTIONS

    DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection. 
    RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

    REDCINE-X PRO DELIVERY FORMATS

    4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 
    2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 
    1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 
    1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

    VIDEO EDITING SOFTWARE COMPATIBILITY

    Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

    * Tech specs reflect both current and projected information. Everything is subject to change.
     

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