RED Digital Cinema DSMC2 BRAIN w/ HELIUM 8K S35

Bilder können vom Originalprodukt abweichen

RED Digital Cinema DSMC2 BRAIN w/ HELIUM 8K S35

Verfügbarkeit: Nicht am Lager

24'690.00 CHF

26'591.15 CHFinkl. 7.7% MwSt

Art.Nr: 125.710-0304
Marke: RED

Zusatzinformationen
Passendes Zubehör
Finanzierung

RED DSMC2 with HELIUM 8K® S35

HIGH RESOLUTION

RED EPIC-W® with HELIUM 8K® S35 sensor has 35.4 megapixels to capture subtle features that can’t be seen at lower resolutions. That's 4x more resolution than 4K—and over 17x more resolution than HD.

SUPERIOR IMAGE QUALITY

Combining advanced color science with incredible dynamic range, EPIC-W produces the most realistic images imaginable.

MODULARITY

The DSMC2® form factor is our smallest BRAIN® ever and is also compatible with a growing arsenal of modules and accessories—from RED and other third-party manufacturers.

LIGHTWEIGHT

Weighing in at just 3.35 lbs., EPIC-W produces cinema-quality imagery yet is small enough for use with drones, gimbals and handheld configurations.

RESOLUTION MATTERS

With superior image quality and best-in-class resolution, RED EPIC-W with HELIUM 8K S35 sensor, recipient of the highest DxOMark score ever, allows content creators everywhere to deliver ultra-detailed still and motion images.

YOUR WORKFLOW. SIMPLIFIED.

EPIC-W is capable of recording REDCODE® RAW and proxy 4K Apple ProRes or Avid DNxHR/HD formats—simultaneously. More recording options and the raw power of REDCODE provide the freedom to choose the workflow that's right for you. And now EPIC-W can monitor and control the new image processing pipeline (IPP2) in-camera.

REDCINE-X PRO® allows you to open and work with your REDCODE RAW R3D files.
> Download REDCINE-X PRO
The RED Apple Workflow Installer provides the functionality to import REDCODE RAW clips directly to Apple’s ProRes codec.
> Download RED Apple Workflow Installer

TECHNICAL SPECIFICATIONS

EPIC-W

SENSOR TYPE	HELIUM 35.4 Megapixel CMOS
EFFECTIVE PIXELS	8192 x 4320
SENSOR SIZE	29.90 mm x 15.77 mm (Diagonal: 33.80 mm)
DYNAMIC RANGE	16.5+ stops
MAX DATA RATES	Up to 275 MB/s using RED MINI-MAG (480GB & 960GB) Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
MAX FRAME RATES	30 fps at 8K Full Format (8192 x 4320), 30 fps at 8K 2.4:1 (8192 x 3456) 30 fps at 7K Full Format (7168 x 3780), 40 fps at 7K 2.4:1 (7168 x 3024) 75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
PLAYBACK FRAME RATES (PROJECT TIMEBASE)	23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1	6:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps 7:1 REDCODE for 8K Full Format (8192 x 4320) at 30 fps 2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps 4:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
REDCODE RAW ACQUISITION FORMATS	8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES	ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECS	DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
CONSTRUCTION	Magnesium and Aluminum Alloy
WEIGHT	3.35 lbs (BRAIN with Integrated Media Bay)
OPERATING TEMPERATURE	0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE	–20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY	0% to 85% non-condensing
COLOR MANAGEMENT	Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing
AUDIO	Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROL	Integrated R.C.P. WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS	3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS	DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
REDCINE-X PRO DELIVERY FORMATS	4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE COMPATIBILITY	Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro
* Tech specs reflect both current and projected information. Everything is subject to change.

Finanzierungslösungen

Was Sie auch unternehmen, unsere Finanzierungslösungen ermöglichen Ihnen, sich optimal auszustatten ohne unnötig Kapital zu binden. Statt den kompletten Anschaffungskosten zahlen Sie günstige Monatsraten und sichern damit Ihr Eigenkapital und erhalten sich die Kreditspielräume bei Ihrer Hausbank oder Ihren Lieferanten. Durch die konstanten Raten, die – pay as you earn – erst fällig werden, wenn Sie mit den geleasten Objekten bereits Umsatz erwirtschaften, gewinnen Sie zudem an Planungssicherheit. GRENKE bietet Leasing für Produkte ab einem Nettokaufpreis von CHF 1000 an. So bleiben auch kleine und mittelständische Unternehmen immer auf dem neuesten Stand.

Als Unternehmen, das im B2B-Bereich tätig ist, konzentrieren wir uns auf unsere Stärken: Leasing ist nach wie vor unser Kerngeschäft. Im Small-Ticket-IT-Leasing ist GRENKE der marktführende Finanzierungsspezialist

Zur Berechnung der Finanzierung

Litepanels